Moroccan artist collective, melting since the 90's Algerian, Middle Eastern, Turkish and Somali tribal roots with diverse styles of Electronica, as influences of Dub, Trip Hop, Psy Trance and Dance sounds. Soundtrack contributions for Hollywood blockbusters, Indie films and TV series, became lately one of their main activities. The song Harissa (Lovers Only Mix) from the Jim Jarmusch Only Lovers Left Alive Soundtrack, is perhaps their most cultic film music placement so far. With the latest tracks Rarnati & Black Pikala Noir, this unmistakable weakness for distorted guitar sounds is once more very present. Saharizona Ultraviolet from 2019, an eclectic homage to Ennio Morricone & Tarantino was the debut for a whole collection of new tracks, featuring diverse guests from the legendary Swiss/Moroccan Barraka label. Lila Aswad feat. Fatim-Zahera (vocals) & Azeddine Diani (Oud) from Marrakech, is the club-mix of Lila Rarnat. Produced by Pat Jabbar, the musical direction in general, inevitably continues to combine chilling beats, guitar noises, Rai’n’B as progressive EDM elements with traditional Moroccan instruments. On their debut album from 2008, simply titled Kasbah Rockers (with Bill Laswell) , Bill Laswell played bass on 11 tracks, grooving along with eclectic artists such as Youssef El Mejjad from Amira Saqati, Maghrebika with Bill Laswell or Casus. Selected Film Soundtrack contributions: Body Of Lies (Original Motion Picture Score)